Hi! Welcome back to the summer special with a post that will likely be completely overshadowed by the literal mistake post I predict will become my most infamous upload ever. (I'm sure you already found it by now.) So, this is a post where I'm just going to share a video that I've been obsessed with for a while now, and some info about it.
Joseph James is a relatively well-known music YouTuber who primarily makes mashups and "megamixes" of songs by pop musicians. One of his most popular videos, and one of my favorites, is his Taylor Swift: The Complete Eras Megamix, a 13-minute-long mashup of every Taylor Swift song (up until Speak Now TV - the video was posted before 1989 TV and TTPD came out), including features, non-album singles, and official remixes, plus two fanmade orchestral remixes. The megamix is split into seven thematic chapters: Shadow, Ultraviolet, Cherry, Rust, Sapphire, Amber, and Aurora. The whole thing is amazing and I recommend you listen to it if you haven't already.
*indicates song used in multiple chapters
Shadow
Production in order of appearance:
Lover (First Dance Remix) - The Last Great American Dynasty - Wildest Dreams (orchestral edit by Marcus Coronel) - Peace - Willow - I'm Only Me When I'm With You - Wildest Dreams (orchestral edit by Joseph James) - Haunted - ...Ready For It? - High Infidelity - Christmas Tree Farm - Wildest Dreams (regular version) - Cruel Summer* - Birch - I Did Something Bad - The Other Side Of The Door - Fearless*
Vocals in order of appearance:
My favorite moments:
- The intro!
- The subtle but powerful use of Peace in a majority of the production.
- The percussion buildup from I'm Only Me When I'm With You.
- The part where one line is used from each album.
- The orchestral versions of Wildest Dreams.
- "I knew you were trouble when you walked in / I watched it begin again / You should've said no"
Ultraviolet
Production in order of appearance:
Vocals in order of appearance:
Babe (2021)* - Babe (2018) - Fearless* - Clean - Long Live (Paula Fernandes version) - Antihero - Bad Blood* - Blank Space - Tell Me Why - That's When - Untouchable - We Are Never Ever Getting Back Together - Change - Cold As You - Paper Rings - Death By A Thousand Cuts - Bye Bye Baby - I Forgot That You Existed - Marjorie - Seven - London Boy - August - Foolish One - The Way I Loved You - Enchanted - 22 - I Heart ? - All You Had To Do Was Stay - Fifteen - This Is Why We Can't Have Nice Things - Cruel Summer* - Karma - Picture To Burn - Hits Different - Coney Island - Hey Stephen* - Dorothea - Hoax - Maroon
My favorite moments:
- The prominence of Long Live and the combination of Long Live / Fearless / Clean / Antihero.
- "When I was drowning, that's when I was SCREAMING LONG LIVE"
- "Say that we'll be together / We are never ever ever getting back together"
- "Gone was any trace of you, I think I could finally win / I've never been anywhere cold as / You-ooh-ooh-ooh / I'd marry you with paper rings / Saying goodbye is death by a thousand cuts / Bye bye / I forgot that you existed / The autumn chill that wakes me up / I still got love for you / It's me / You loved the amber skies so much / Wanna be with you / To live for the hope of it all, cancel plans just in case you called and said meet me behind the mall / Hi / I know how to act like I'm fine / And that's the way I loved you / Please don't be in love with someone else, please don't have somebody waiting on you" (these lyrics combined are a full-on love story in themselves)
- The 22 / Blank Space duet with brief interjections from WANEGBT and I Heart ?
- The Blank Space / New Romantics / Maroon buildup into the next chapter.
Cherry
Production in order of appearance:
Speak Now - Christmas Must Be Something More - How You Get The Girl - Both Of Us - Afterglow - Dress* - Welcome To New York* - Look What You Made Me Do*
Vocals in order of appearance:
The Outside - Electric Touch - I Can See You - Mine - You Belong With Me - Superman - Sparks Fly - Message In A Bottle - New Romantics* - Both Of Us - The Very First Night - Welcome To New York* - Speak Now - Hey Stephen* - Paris - How You Get The Girl - Snow On The Beach - Snow On The Beach (more Lana Del Rey version) - Christmases When You Were Mine - The Moment I Knew - Forever Winter - Half Of My Heart
My favorite moments:
- The simplicity of the production - Speak Now!!!
- The percussion fill from Christmas Must Be Something More to transition between Speak Now and How You Get The Girl.
- The fact that the Christmas songs are even acknowledged.
- "IIII wiiiish IIII / COULD FLY-EE-Y"
- "Sparks / FLY-EE-Y"
- "I'd write this IN THE SKY-EE-Y / You are the best thing that's ever been mine"
- "Welcome to New York / Like we were in Paris"
- Half Of My Heart jumpscare at the end of the chapter.
Production in order of appearance:
Look What You Made Me Do* - Dress* - I Wish You Would - This Is What You Came For*
Vocals in order of appearance:
Karma (Ice Spice version) - Look What You Made Me Do* - Right Where You Left Me - I Think He Knows - King Of My Heart - Ronan - I Don't Wanna Live Forever - Cowboy Like Me - Illicit Affairs - The Archer* - Question...? - Dress* - Bad Blood* - My Tears Ricochet - Sweet Nothing - It's Nice To Have A Friend - Midnight Rain - Don't Blame Me - Bad Blood (Kendrick Lamar version) - A Place In This World - Forever & Always - The Man - Labyrinth - The Great War - Gold Rush
My favorite moments:
- Again, the simplicity of the production, and how Dress (my second-least-favorite Taylor Swift song) is actually improved upon by having more full production.
- The not one but two occurrences of Ice Spice saying "grrah" in the Karma remix.
- The brief Sweet Nothing / My Tears Ricochet / It's Nice To Have A Friend / Midnight Rain mashup.
- "BUT I'M READY TO FLYYYYYYYYYYYYYYY!!!!!!!!!!!! / I don't think so"
- The polyrhythm between Don't Blame Me and TIWYCF / LWYMMD.
- The surprisingly prominent usage of This Is What You Came For.
- The Great War / Gold Rush duet.
- The chapter starting and ending on the same line - "look what you just made me do, look what you just made me do".
Sapphire
Production in order of appearance:
Look What You Made Me Do* - The Archer* - This Is What You Came For* - Welcome To New York* - Mastermind - Starlight - Red - Girl At Home - Happiness - You're On Your Own, Kid - Gasoline - Timeless - Mary's Song (Oh My My My) - Mirrorball - Crazier - A Perfectly Good Heart - Miss Americana & The Heartbreak Prince* - You All Over Me*
Vocals in order of appearance:
Look What You Made Me Do* - Run - Mirrorball - Carolina - Treacherous - The Best Day - Nothing New - Mastermind - Love Story - Never Grow Up - Cardigan - You're On Your Own, Kid - State Of Grace - The Lucky One - Don't You - This Is Me Trying - False God - This Love - Innocent - Mad Woman - Sweeter Than Fiction - When Emma Falls In Love - Better Than Revenge - Breathe - Come In With The Rain - Gasoline - Two Is Better Than One - Jump Then Fall - Mr. Perfectly Fine - Back To December - The Story Of Us - Better Man - Dear John - I Almost Do - If This Was A Movie - Highway Don't Care - Come Back... Be Here - So It Goes... - The Joker & The Queen - Mean - Dancing With Our Hands Tied - Tied Together With A Smile - Holy Ground - Renegade
My favorite moments:
- The fact that this chapter contains more songs than any other chapter.
- The way LWYMMD is used in a different way from the previous chapter - in Rust it gave it a dark tone, and in Sapphire it contributes to the sparkly, nostalgic atmosphere. (Fun fact - LWYMMD is the only song used in three chapters.)
- The unexpected return of Welcome To New York, one of only two songs (along with Bad Blood) used in two nonconsecutive chapters.
- The Starlight / Red / Girl At Home buildup.
- "We were both young when I first saw you / Don't you ever grow up, just stay this little / When you are young, they assume you know nothing / You're on your own, kid, you always have been"
- "Another name goes up in lights / Begging you please don't go / So if I see you again / This is me trying"
- The intentional overlap of False God ("still worship THIS LOVE") with the song This Love.
- The softer moments with Happiness and You're On Your Own, Kid followed by a jumpscare slew of songs (Gasoline / Timeless / Mary's Song / Mirrorball) fading into the production.
- "I know why we had to say goodbye like the back of my hand / And I hope you know that / Come back, come back / Cuz I can't live without you baby / Come back, be here / Come here, dressed in black now, so, so, so it goes / The joker & the queen / Why you gotta be so mean"
- "I'd hold you as the water rushes in / The water's high, you're jumping into it" (even more important because these are from songs that already had parallel titles - Dancing With Our Hands Tied and Tied Together With A Smile)
Amber
Production in order of appearance:
Miss Americana & The Heartbreak Prince* - You All Over Me* - Getaway Car* - Bejeweled* - Delicate* - Vigilante Shit - You're Losing Me* - Wonderland* - All Too Well (10 Minute Version)* - All Too Well* - Cornelia Street* - Champagne Problems* - Teardrops On My Guitar - Me!* - Getaway Car* - Out Of The Woods* - Closure - Tolerate It - Style* - Beautiful Eyes*
Vocals in order of appearance:
Daylight* - Tim McGraw - End Game - Long Story Short - It's Time To Go - Invisible String - Last Kiss - The 1 - Betty* - No Body No Crime - Cornelia Street* - You're Losing Me* - Soon You'll Get Better - All Too Well (10 Minute Version)* - Out Of The Woods* - Style* - Teardrops On My Guitar - Me!* - I Bet You Think About Me - I Know Places - Lavender Haze* - You Need To Calm Down* - Gorgeous* - Getaway Car* - The Last Time - Ivy - Wonderland* - White Horse* - Epiphany - Evermore* - All Of The Girls You Loved Before - Stay Stay Stay* - The Lakes
My favorite moments:
- The subtle use of You All Over Me - it's one of the few infamous "hidden" instrumentals in this megamix that I can easily identify, with the pulsating guitar from the intro being used as a pedal point of sorts.
- "I wanna be your end game / Fatefully / I wanna be your first string / Sometimes to run is the brave thing / I used to think I would meet somebody / Just like our last / (Ooh-ooh)"
- "The worst thing that I ever did / He did it"
- The All Too Well / All Too Well Ten Minute Version / Cornelia Street / Champagne Problems / Teardrops On My Guitar mashup, and the way this takes advantage of the distinct production of both All Too Well editions.
- The percussion feature with Out Of The Woods / All Too Well / Closure / Delicate / Me!
- The part that immediately follows with NINE instrumentals seamlessly blended together - if I hadn't watched the video with the song tags, I never would've guessed Out Of The Woods, All Too Well, Closure, Delicate, Me!, Cornelia Street, Tolerate It, Getaway Car AND Style were all being used at the same time at the end of the chapter, because it sounds like one big, full, gorgeous track, and now that I see it I can listen closely and hear each individual layer, which is really cool.
Aurora
Production in order of appearance:
Beautiful Eyes* - Getaway Car* - Style* - Only The Young - Bejeweled* - Wonderland* - New Year's Day
Vocals in order of appearance:
Me!* - Gorgeous* - You Need To Calm Down* - Our Song - Out Of The Woods* - All Too Well (10 Minute Version)* - Style* - Getaway Car* - You're Losing Me* - Lavender Haze* - Delicate* - Stay Stay Stay* - Ours - Cornelia Street* - White Horse* - All Too Well* - Betty* - Evermore* - Superstar - Champagne Problems* - We Were Happy - Dear Reader - The Alcott - Daylight*
My favorite moments:
- Beautiful Eyes being acknowledged (and for a long time at that, even though I can't really hear it the way it's buried in the production).
- "Back before you lost the one real thing you've ever known / Just take me home / And I'm so furious at you for making me feel this way"
- "Don't pretend it's such a mystery, think about the place where you first met / ME-HEE-HEE"
- The callback to the first chapter where every album in chronological order gets one line.
- The way the pianos from New Year's Day and Wonderland are used over the heartbeat from You're Losing Me - absolutely gorgeous.
- "Superstar / I remember / All too well / You won't remember all my champagne problems / Delicate / And goodbye's so much harder / Dear reader / I can't find a pulse, my heart won't start anymore"
- The fact that the production fades away down to just the subtlest piano line, ending with the intro from New Year's Day.
- "I tell you my problems, you tell me the truth / I'll tell you the truth but never goodbye", especially when paired with that echo.
- The fact that the ending makes me want to listen to the whole thing again.
That's all for now! Byeeeeeeeeee!